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Joined 3 years ago
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Cake day: June 13th, 2023

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  • Giving you an upvote because I think this is a legitimate position, but I strongly disagree. AI has become so pervasive in our lives that it’s extremely difficult to avoid even offline, so I see no problem with someone saying in an irl conversation, “I wish my mom would stop sending me AI slop videos” or “I can’t help but feel paranoid I’m going to wake up one morning and find out I’ve lost my thesis work to the latest microslop update” or “I’ve started dreading work ever since they hired ‘workslop Bill’”


  • My comment was more about the use of “female” as a noun, but your comment about which to use as an adjective raises an interesting point, especially because, as you mention, the generation to regularly say things like “woman doctor” in a not-so-great way has mostly died out. I’m not sure where things stand currently on which adjective is preferred; I think it’s mostly contextual at the moment? (Like “I would feel more comfortable being examined by a woman doctor” sounds grammatically a touch clunky but connotatively fine to me, whereas “I can’t believe what that idiot female doctor diagnosed me with” sounds grammatically correct but otherwise awful)


  • I agree that

    spoiler

    Jinx’s actions are extreme, but I think the writers do a satisfactory job of setting up the final scenes. They show Jinx overhearing Silco and her misunderstanding that he will turn her in to show her feeling cornered, they show her losing previous allies like Vi and Ekko to emphasize how she feels completely abandoned, and they show her suffering hallucinations to demonstrate her fragile mental state. What she does is sad but completely tracks with her character and the setup from previous scenes. Then her attack on the council is (I interpreted) a means of lashing out after Silco dies, while also to get revenge and honor him in a way that she thinks would have made him proud. Again, completely tracks with the setup.




  • S1 did an excellent job of its storytelling, such as show don’t tell; character actions driving the plot, not the other way around; and well-written villains with clear motives. S2 fell flat on a lot of those fronts. I’d need to rewatch it for a proper write-up, but some examples from what I remember:

    spoiler

    Jinx (and to a lesser degree Vi when interacting with Jinx) acts in a number of ways that felt entirely plot-driven. I could not take the entire Vander comes back plot line seriously (the emotional moments felt forced and cheesy). Isha was a really weak character, obviously only there for Jinx’s character development (no wonder they made her mute). It seemed like characters got killed off based on whether their survival would be inconvenient for the plot (e.g. Maddie, Loris, Isha, Vander). The Jayce torture felt excessive. Ekko turns into an exposition-spewing device. The AU plot line was forgettable. Neither Ambessa nor Viktor remotely matched Silko in terms of being a good villain. Minor characters in S2 aren’t anywhere near as rich and fleshed-out as those of S1.

    A lot of what made S1 great continues over into S2, such as the soundtrack and animation. But the character development, writing, and little details just didn’t match up in S2.













  • fireweed@lemmy.worldtoFuck AI@lemmy.worldLOL
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    18 days ago

    Fun fact about 1884! There was a fellow by the name of Orge Georwell who in 1848 wrote a novel titled “Eighteen Eighty-Four”, predicting what the world might be like then. While he was laughed out of every publishing office that he tried giving his transcript, his work was eventually vindicated by history. To be fair, in the 1840s it was considered highly unlikely that the Pope would join the Freemasons (and in 1884 specifically!), however Georwell’s most incredible prediction, that Gregor Mendel (affectionately nicknamed “the pea guy”) would be reincarnated as Japanese prime minister and WWII war criminal Hideki Tojo, would not be proven equally prescient until several decades after Georwell’s untimely demise at the hands of a semi-sentient wheat thresher.