someone’s self awareness of the limitations of their own knowledge and willingness to defer to experts.

This is a cornerstone of ethics in engineering and many other discipline that I feel is being shouted down daily by a crowd that clearly never took a philosophy or ethics class. Even among engineers it seems to be an increasingly unpopular attitude. It seems to have become popular to praise the braggart and shun the ethical self aware.

Literally the only reason I’ve ever used it is so that when I start typing a web address in front of someone, Google doesn’t “helpfully” autocomplete.

Aren’t there any other sites that start with p or x?

Nope. Your reading comprehension skills really suck. I’m not having this fight with you. You’re reading comprehension skills are so bad you’re not even arguing with me. I didn’t say ANY of those things. That’s all you.

Read what I said again and try harder.

Those are bad pranks. Nobody is defending bad pranks.

Yeah, all comedy is bad because I heard some bad jokes lately. Better trash the whole idea of jokes. Same energy.

Clyde Butcher is one of the greatest American landscape photographers since Ansel Adams and a true hero of modern naturalism. Not only does he hike out into the swamp under conditions that would make most here wilt like cotton candy in the rain (see other comments), he often does it with camera equipment that is ancient, heavy, and bulky by today’s standards.

The biggest danger in the Everglades isn’t leeches (not at all common), brain eating amoebas (just keep your head above water), snakes (most would rather just slither away), snapping turtles (only aggressive when trapped), or gators (generally slow, predictable, dumb, and avoidable); it’s ignorance. The swamp isn’t a place into which you’d want to be dropped off unprepared and unequipped, but neither is LA of New York City. Clive Butcher walks the line between tough man and sensitive artist, cottage-core and goblin-core, Lorax and Crocodile Dundee.

Clive Butcher also did a landscape photography series of Salvador Dali’s home town that really opened my eyes about the scenes and settings in many of Dali’s paintings. It becomes clear that although surreal, many of the landscapes in Dali’s paintings are actually surprisingly real places painted literally but adorned with surreal characters and objects.