Throne of Blood (1957)

It’s Macbeth, but in feudal Japan. One of the best films I’ve ever seen. I’m constantly reminded of it while watching Shōgun.

Battle Royale inspired Kill Bill Vol. 1. If you’ve seen one and not the other, it’s worth the view.

Also, Battle Royale is basically the Hunger Games, but earlier and grafted onto Japanese economic outlook.

Everyone should see this film.

I remember it having an English language, targeted at North Americans vibe. I could be wrong.

Also, have I posted this request incorrectly? I still count myself as new to the Fediverse. I don’t know how to access other instances. Any guidance is probably already posted online, and I would have to go looking for it. I haven’t.

The “Lucky Earther” mini documentary in S06 of the Expanse.

This… somehow… works. Nice work.

In Korean, “Hahaha” sounds more like “kh- kh- kh-”, represented by, “ㅋㅋㅋ”

No one has posted an example of one read by the author, so I will: Born a Crime by Trevor Noah. Funny, insightful, and a truly incredible autobiography in his own voice and with full knowledge of all the languages he can speak.

2001: A Space Odyssey

The Qatsi films

Solaris (2002)

My preferred quote on this line:

“Power attracts pathological personalities. It is not that power corrupts but that it is magnetic to the corruptible. Such people have a tendency to become drunk on violence, a condition to which they are quickly addicted.” ~ Frank Herbert, Chapterhouse: Dune

It takes the will of a saint to be incorruptible — to not become addicted to the exercise of power. Those who do not desire power, like saints, may have it thrust upon them.

Even when left to own devices, a person can only exercise power within a society that has desires, wants, and fears. The whole society would need to be incorruptible. This is improbable. In the unlikely case of such a pure society, it would also need to be incorruptible when in contact with “the other” — peoples, species, events, and ideas. This is exceedingly improbable. So, the whole of existence would need to be incorruptible.

Power corrupts.

QED (using the slippery slope, I know)

So, Jumper.

Lucy (2018) - some mild insanity, remorselessness

Genie from Aladdin (1992) ‐ everything is a joke

Bruce Almighty (2003) - can’t actually control himself

I’m going to go off on a comic-book tangent here:

Wielder of Infinity Gauntlet (1991, 2018) - potential insanity, later radiation scarring

Phoenix Force (1976) ‐ heavy insanity, desire to consume planets (see: Dark Phoenix Saga (1980), (X-Men '92, S03E11), Avengers vs. X-men (2012))

Omega-Level mutants - tendency toward megalomania (see: Jean Grey, Magneto, Kid Omega, 4 horsemen of Apocalypse… even Ororo Munroe (goddess), though Iceman seems well-adjusted)

Beyond - remorselessness, destruction of universes (see: Secret Wars (1984), Time Runs Out Event (2014))

Going forward is the worst of corporate-speak. I refuse to use this phrase.

I saw Baise Moi (Kiss/Rape Me) in a theatre just before it was banned. I was not expecting that

This is about the same time that Kids, Gummo, Happiness, and the Brown Bunny were all released.

Each film is fucked up for its own reasons. Though, I understand, Salo and A Serbian Film are next level fucked up.

I saw Being There about 10 years ago, and it was made 35 years before that. It is a masterwork.

I have nostalgia for my late-teens early 20s cartoon consumption. I was still watching Batman:TAS and the 90s Spider-Man series. There were flashes of high-intensity (if not well told) brilliance from the 90s Real Adventures of Jonny Quest series. I have to admit, the CGI they used was not as well executed as Reboot. Darkwing Duck, Peter Pan and the Pirates, and Gargoyles were shows what I looked back on fondly.

Daria, Clone High, and Ren and Stimpy all made an impact on me as a young adult. Daria, for its sardonic, anti-establishment stance. Clone High for its mockery of sitcoms and rom-coms and teen angst. Ren and Stimpy for pushing everything past its limit.

In the end, though, it was Samurai Jack and 90s X-Men that stood head and shoulders above them all. X-Men because it was what I collected and knew the best. Samurai Jack because it was cinematic, well- paced, and offered me something that no other TV show, movie, cartoon series, or comic book did or could: “… [a] fool [who] seeks to return to the past to undo the future that is Aku!”