Hemingways_Shotgun

  • 18 Posts
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Joined 3 years ago
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Cake day: June 7th, 2023

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  • I’ve thought about making the switch but what holds me back is stability.

    I don’t mean stability from a software perspective. But from a distro perspective. Distros come and go all the time. Four or Five have stable enough support through community developers and industry sponsorships that they’ve managed to become large enough and supported enough to be considered Evergreen Distros for lack of a better word. In other words, distros where the support base is large enough to be considered “too big to fail” (Ubuntu, Mainline Arch, Manjaro, Fedora, Gentoo, etc…)

    The rest eventually just fade away. I’ve always avoided distros that are maintained by a small community of enthusiasts because enthusiasm goes away really quickly once the real work of maintaining a distro rolls around.

    I won’t pull the trigger on any small community project until I’m reasonably sure I’m not going to have to jump to a new project a year from now when the developers get tired of it and move on to something else.









  • Precisely.

    Part of the awe of watching movies (The so-called movie magic) is that at the same time as you’re in awe of the film, there’s a part of you in awe of how much collaborative work it took to create that stunt/effect/miniature, etc…

    There’s no magic anymore when one can just do the same thing in Blender at home if they had enough time to learn.




  • Oh I’m not saying there isn’t skill involved. There’s obviously artistic skill involved.

    But there’s already awards for that kind of thing. It’s a completely different skill set completely removed from the collaborative nature of film-making and film special effects.

    One person sitting behind a computer, no matter how skilled, isn’t the same as a team working in tandem to create something awe inspiring.



  • CGI shouldn’t win cinematography or even special effects awards.

    Both of those things used to be collaborative skills. Multiple people working together to make a great composition on the screen. (director, cinematographer, set designer, costumer, prop-maker, foley artist, actor, etc…)

    A great shot in CGI requires a computer and rendering time. It’s not the same.

    If you can do everything with a computer, than none of your special effects are special by definition.

    Oh…You’ve got spiderman framed above buildings high in the sky in Into the Spider Verse? Great…cool shot…but took nothing to actually create it.

    If you tell me that to get that shot you had professional stunt people doing wire work, a complex camera rig, two helicopters and high-speed camera? THAT is the special in special effect.

    Made it in a computer? It’s meaningless.