I will not tell lol I am working on it and really excited about it

Sci fi set in contemporary times on Earth. A spaceship from another dimension accidentally enters a freak wormhole and gets dumped off in our universe. Only a single human survived on the ship, augmented by some super fancy AI (that actually works reliably unlike what we have access to nowadays). Captain isn’t able to maintain orbit but is able to land out in the middle of the south Pacific. Captain & AI have no way to return to their home universe or even send a message.

Ship contains a lot of advanced technology. Captain knows the theory of it all but doesn’t know the details. Ship’s AI has schematics for everything on board but not for everything in the civilization they left - only the most commonly used parts.

Ship contains a perfectly efficient recycler and replicator, but it’s limited by speed and by internal volume of the replicator.

Ship has a medbay capable of treating any known disease or injury, but there are only four pods (normal crew size only needs four), and treating something severe like a heart attack or cancer requires a full week non-stop.

Ship isn’t designed for combat or passenger service, but is instead a giant mining ship equipped with tractor beams to facilitate harvesting ore in space. It’s about the size of a giant ore carrier from Earth, and does have some rudimentary point defense weapons to defend against space pirates.

Ship has some problems that make it temporarily not-spaceworthy, and may or may not be able to find all the raw materials it needs to repair itself for more spaceflight. It is however perfectly capable of atmospheric flight operations.

How does the captain interact with us? Is the ship able to find enough stuff to repair itself? Does the captain decide to trade favors for supplies that can’t be synthesized? Or does the captain spiral into a pit of despair at being irrevocably separated from their home?

In case you’re wondering, yes I do as a matter of fact enjoy tech uplift stories.

A doppelganger of sorts replaces a character, but it’s entirely for the better. Despite being an unearthly monstrosity, it’s well meaning, good intentioned and has everyone’s best in mind. Unfortunately this isn’t seen as a good thing by the crowd the original ran with, and those who find out are at a crux between liking the person and fearing the monster.

A sci-fi drama about a guy who develops a brain tumor. The tumor becomes sentient and can communicate with the man through their shared thoughts. Over time, they develop a kind of friendship. At the end, the man must undergo brain surgery to remove the tumor. Despite being able to prevent the surgery somehow (haven’t worked this part out yet), the tumor allows it to happen anyway, knowing that it must die in order for the man to live.

I think I would write this as a short story, but I’ve never written any fiction before and don’t even know how to start.

That’s the hard part. If I had that, I’d be writing.

Over the next 100 years or so VR and haptic tech make it so people can become fully emersed in virtual reality. So pretty much everyone does. There are arguments on both sides, but eventually most people choose to live in their own world as a “god” with only VR interaction between one another. Everyone in VR stops having real kids, but thanks to AI improvements they can still have “kids”. Technology eventually allows people to plug in permanently while their bodies are maintained by AI and robots systems. Eventually their bodies die, but their consciousness has been captured enough by the system that no one knows or notices when their VR friends bodies die in reality.

In the real world a very small segment of society refuses to join the VR universe and pledge to remain in the real world. Maybe there’s some war in there because of this. Eventually though, the population of earth drops to maybe a few hundred thousand mostly wandering communal groups, while everyone else’s consciousness is in VR systems. This is good for the planet.

After a few thousand years, the people in reality have multiplied and built a better more equitable world, but have completely forgotten about the people in VR, and the automated buildings containing the computers have become buried and lost to time. Until one day someone stumbles across one of these ruins and begins interacting with the VR people again despite a mythical belief system that such technology is all bad.

Some shit happens and there’s a VR vs reality reckoning… Maybe some sort of Romeo and Juliet love story to keep it interesting.

Rough outline, a woman loses her husband to violence and takes their young son to a more rural community to get away from the urban environment which has too many ghosts and memories.

Partial inspiration:

https://youtu.be/mzKEZZYTCnY

She settles into the small town, in an old house that needs work, but she needs the work to put her mind on other things. Lots of quirky locals offer advice, want all up in her business, and she’s polite but shuts them down.

Working on the house, a large, ropy, brown tail dangles from a tree branch outside the window and she’s startled to see a full grown-ass cougar just hanging out. Apparently it liked the place when it was abandoned and sees no need to move on.

She doesn’t know what to do, and throws a home made cheese ball at it, a welcome gift from one of the quirky locals. She didn’t really want the thing, or know what to do with it. The cat bats it out of the air and carries it off.

So now, she didn’t really want to talk to the locals, but has to. She wants to build a fence to keep the cat out.

She has part of it in place, and the cat leaps over it without any trouble at all. The fence wasn’t complete, it could have gone around the fence, it jumped it because it could.

Then, the town erupts. A big cat has been killing livestock at nearby farms, everyone is up in arms and they blame her for moving into the old abandoned house and “stirring up trouble.”

Locals go on a literal torch weilding mob rampage to kill the cat causing all the damage, and they kill one, so everyone thinks the problem is resolved.

But the color on this one isn’t quite… right, is it? And it’s bigger, a male, she’s certain the one by her house was female.

She gets home, pretty much revolted by the mob action, and finds an impossibly small cougar cub, asleep on her porch.

I’d write a sci-fi story, which explains the fermi paradox. There are thousands of alien races all over the galaxy, but they basically all took one look at humankind and said “fucking hell no, those guys are absolute dicks”.

I’d finish one of the stories I’d already started:

• Sci-Fi, life on board a converted old interplanetary transport vessel, refitted for interstellar transport, on its way to join a small group of pioneers and colonize a distant planet.
• Fantasy, centered around a crafty dwarf who has built a decent self sufficient for himself independent of the fortress, unaware that his childhood friend caught a curse and caused the fortress to succumb to the goblin invasion.
• A more down to earth story about a struggling early twentysomething, and what sheer desperation does to a person.

…but the common denominator for all three is that I haven’t quite figured out the plot yet.

I have a setting and characters but no story. And I have stuff that could be part of a story, but I don’t know how to put it together. Like an arranged marriage, and jealousy between someone born to power and someone who fought to earn it. I just don’t know how to make a story that fits all of them in there.

A reverse Three little pigs. Where the pigs (cops) are the bad guys, and the wolf is just a pot head

I couldn’t really think of anything other than an autobiography, or ANOTHER science fiction story set in space (with fish and Toki Pona this time around, and four girls as the protagonists). Actually, I prefer that last thing to be an animated cartoon than a novel.

I’m already an author.